French-speaking
residents of southwestern Louisiana created a new genre of
dancehall music in the years following WW II. Mixing Cajun
rhythms with amplified instrumentation, they replaced the
traditional box accordion with the full-bodied, piano-key model
and introduced some upfront percussion with the froittor, a
rippled-metal rubboard played with spoons and made to be worn
across the chest. Toss in some African-American jukebox rhythm
and - voila! - Louisiana Zydeco was born.
Designed to re-create
the ambiance and pacing of a live Zydeco set at a rural dance
hall, the set list for My Big-Foot Woman contains mostly
originals - heart-pumping dance romps mixed with soulful Zydeco
blues and graceful country waltzes - along with a few familiar
favorites, like the uptempo “C.C. Rider,” a two-step “Hound
Dog,” and even a Zydeco take on the 1970s hit “Disco Lady.”
The band’s leader and
driving force is Clarence "Jockey" Etienne, a former studio
drummer for Excello Records, the legendary “swamp blues” label
that recorded Slim Harpo, Lazy Lester, and many others. His
partner in rhythm is bassist Charles Goodman, a veteran of the
band that played behind the original “King of Zydeco,” Clifton
Chenier. Up front are a pair of multi-talented musicians, Warren
Prejean and Morris Francis, who alternate on accordion and lead
vocals.
Combining down-home
authenticity with first-class musicianship, My Big-Foot Woman
proves beyond a shadow of a doubt why The Creole Zydeco Farmers
have every right, on their MySpace page, to refer themselves as
“The Hippest Old-School Band Around.”